links for 2007-11-16

20th C. Limited: a playlist

The author of The Rest is Noise has put together playlist of modern music as an intro to classical music listeners who have never heard anything written since 1900 or so.

…I’m not sure what to make of it all either, but if he’s going to the trouble of assembling a playlist, I can give it a listen.

The author of The Rest is Noise has put together playlist of modern music as an intro to classical music listeners who have never heard anything written since 1900 or so.

A look at many big city orchestra programs won’t reveal too many of these pieces or composers. I’m not sure what to make of it all either, but if he’s going to the trouble of assembling a playlist, I can give it a listen. Only $19.80 stands between you and enlightenment, as well. It looks like I know one of these pieces pretty well, as I like Sibelius a good deal. And I have heard of a few more, but by no means all of them.

something I didn’t hear enough of

Driving home from school, I think, I heard this on KEXP from their time at the CMJ expo in New York. I didn’t realize they also had a podcast of their live performances.

Driving home from school, I think, I heard this on KEXP from their time at the CMJ expo in New York. I didn’t realize they also had a podcast of their live performances. It’s awfully close to too much of a good thing, this KEXP . . .

food for thought: are Japan and France more capitalist than the US?

It is piquant to note that France, so frequently scorned in the United States for its economic backwardness, while not up to Japan’s level, was over three times faster than the United States (17.6) and half as expensive ($1.64) .

…The two crucial differences between Japan and the United States is that U.S. corporate executives are under great pressure to justify any capital expenditures that might eat into this year’s returns, and that the U.S. government is unwilling to give financial incentives to companies to help finance long-term investment.

So what’s this all about? Are places outside the US more capitalistic, more visionary, than here at home? Bear in mind that the winners in this piece have much lower milirtary expenses than the US, and not entirely because they rely on the US as a shield. France is not even a member of NATO, and is long-time member of the nuclear club. So what is the secret?
Commentary No. 219, Oct. 15, 2007
“Japan, the United States, and the World-Economy”

Sometimes startling and revealing news items are buried in the back pages of the news media. On October 3, The New York Times ran a small table in its business section about access to the internet. It listed ten countries with strong economies and showed two figures for each: average speed of broadband connections in megabytes a second, and price per month of service (one megabyte a second). The country that was fastest and cheapest was Japan (61.0 and $0.27). The runner-up was South Korea (45.6 and $0.45).

What was interesting about this table was how the United States stood in relation to Japan. The United States at 4.8 was fourteen times slower than Japan and at $3.33 twelve times more expensive. It is piquant to note that France, so frequently scorned in the United States for its economic backwardness, while not up to Japan’s level, was over three times faster than the United States (17.6) and half as expensive ($1.64). [emphasis added]

The explanation of this enormous discrepancy is the relation to the capitalist market of enterprises in Japan and in the United States. For Japan to be what the Times calls a “broadband paradise,” Japanese enterprises have had to make heavy investments and give deep discounts to customers. They do this on the theory that disregarding short-term profits and pouring billions into long-term projects will pay off eventually. This was the philosophy that allowed Japan to create one of the two fastest railway lines in the world – the Shinkansen. Its only competitor in this field is France’s TGV. The United States, as everyone knows, has a miserable train system known as Amtrak, which hardly anyone uses and is always losing money.

The two crucial differences between Japan and the United States is that U.S. corporate executives are under great pressure to justify any capital expenditures that might eat into this year’s returns, and that the U.S. government is unwilling to give financial incentives to companies to help finance long-term investment.

The reasons for both are obvious. U.S. corporations today are dominated by a speculative ethos, in which top personnel turnover is constant and buyouts ever on the horizon. This year’s bottom line is all that matters to a CEO who may not be in a position to profit from next year’s bottom line (not to speak of next decade’s bottom line). And the U.S. government is spending all its money on military investment and tax breaks for the very wealthy. There is nothing left over for long-term capitalist investment. The Japanese are instead investing in a “once-in-a-century transformation,” according to Kazuhiko Ogawa, general manager of the network strategy section at Nippon Telegraph & Telephone.

The bubble in U.S. stocks may possibly continue for a little while longer. But in a decade, the United States may be embarrassingly far behind the Japanese (and the South Koreans, and even the French) in informatics, which everyone is always saying is one of the key sectors of today’s capitalist economy.
This is the way that hegemonic decline builds on itself. The leading country concentrates on the short-term situation, and overinvests in unfruitful military expenditure. Speculation replaces innovation as the source of profits. And before one knows it, the others (in this case the Japanese, but not they alone) speed ahead controlling the technology of the future. This is what the United States did when it was, oh so long ago, an ascending economic power.

The only way to turn this around, even partially, is a major cultural shift in the United States. George W. Bush is not at all ready even to think about it. Are Hillary Clinton or Barack Obama ready to exert their leadership in this direction? Nothing is less sure.

by Immanuel Wallerstein

[Copyright by Immanuel Wallerstein, distributed by Agence Global. For rights and permissions, including translations and posting to non-commercial sites, and contact: rights@agenceglobal.com, 1.336.686.9002 or 1.336.286.6606.]

Success at something isn’t as simple as choosing to be successful. But it’s a good first step. As long as we spend more on weapons than the rest of the world combined, I doubt we’ll see those improvements.

random playlist

Long Shot | Aimee Mann | I’m With Stupid | 3:13 | ☆☆☆☆ | 11/15/07 9:14 AM No Tears | The Psychedelic Furs | Talk Talk Talk | 3:18 | ☆☆☆☆ | 11/15/07 9:17 AM Coal Train Robberies (Demo) | Elvis Costello | Spike Bonus Disc | 2:52 | ☆☆☆☆ | 11/15/07 9:20 AM The American | Simple Minds | Themes for Great Cities | 3:47 | ☆☆☆☆ | 11/15/07 9:24 AM The Man I Love | Django Reinhardt & Stéphane Grappelli | Verve Jazz Masters 38: Django Reinhardt | 3:13 | ☆☆☆☆ | 11/15/07 9:27 AM Cool Water | Fleetwood Mac | Mirage B-side | 3:21 | ☆☆☆☆ | 11/15/07 9:31 AM American Travelust | Charlie Pickett and the Eggs | Live at The Button | 3:15 | ☆☆☆☆☆ | 11/15/07 9:34 AM Radio Silence | Elvis Costello | When I Was Cruel | 4:59 | ☆☆☆☆ | 11/15/07 9:39 AM People Get Ready | Jeff Beck | Beckology (Disc 3) | 4:56 | ☆☆☆☆ | 11/15/07 9:44 AM I Talk To The Wind | King Crimson | Frame By Frame [1 – 1969-71] | 6:06 | ☆☆☆ | 11/15/07 9:50 AM Helpless | k.d. lang | Hymns of the 49th Parallel | 4:15 | ☆☆☆☆ | 11/15/07 9:54 AM Needle Time | Elvis Costello & The Imposters | The Delivery Man | 5:06 | ☆☆☆☆ | 11/15/07 9:59 AM Disturbance At The Heron House | R.E.M.

Took a quick walk around Green Lake this morning and decided to take whatever my iPod threw my way, no skips, no nothing.
Long Shot | Aimee Mann | I’m With Stupid | 3:13 | ☆☆☆☆ | 11/15/07 9:14 AM
No Tears | The Psychedelic Furs | Talk Talk Talk | 3:18 | ☆☆☆☆ | 11/15/07 9:17 AM
Coal Train Robberies (Demo) | Elvis Costello | Spike Bonus Disc | 2:52 | ☆☆☆☆ | 11/15/07 9:20 AM
The American | Simple Minds | Themes for Great Cities | 3:47 | ☆☆☆☆ | 11/15/07 9:24 AM
The Man I Love | Django Reinhardt & Stéphane Grappelli | Verve Jazz Masters 38: Django Reinhardt | 3:13 | ☆☆☆☆ | 11/15/07 9:27 AM
Cool Water | Fleetwood Mac | Mirage B-side | 3:21 | ☆☆☆☆ | 11/15/07 9:31 AM
American Travelust | Charlie Pickett and the Eggs | Live at The Button | 3:15 | ☆☆☆☆☆ | 11/15/07 9:34 AM
Radio Silence | Elvis Costello | When I Was Cruel | 4:59 | ☆☆☆☆ | 11/15/07 9:39 AM
People Get Ready | Jeff Beck | Beckology (Disc 3) | 4:56 | ☆☆☆☆ | 11/15/07 9:44 AM
I Talk To The Wind | King Crimson | Frame By Frame [1 – 1969-71] | 6:06 | ☆☆☆ | 11/15/07 9:50 AM
Helpless | k.d. lang | Hymns of the 49th Parallel | 4:15 | ☆☆☆☆ | 11/15/07 9:54 AM
Needle Time | Elvis Costello & The Imposters | The Delivery Man | 5:06 | ☆☆☆☆ | 11/15/07 9:59 AM
Disturbance At The Heron House | R.E.M. | Document | 3:34 | ☆☆☆☆☆ | 11/15/07 10:03 AM

Not a bad selection. Kept me moving anyway . . . three Elvis tracks seems a bit heavy. Need to revisit some of my ratings/rankings, I think.

hmm

(I would love if someone could explain to me exactly what happened, though, in the scene toward the end where Tommy Lee Jones goes into the motel room.)

…if it’s that good, why the question about what happened?

Saw it this afternoon and it’s just indescribably good. (I would love if someone could explain to me exactly what happened, though, in the scene toward the end where Tommy Lee Jones goes into the motel room.) [From ‘No Country for Old Men’]

if it’s that good, why the question about what happened? Does a movie that good leave you hanging like that?

show time again

In January 2008, the Photomedia Center will be featuring artists who have been invited through an open submissions process to exhibit their photography which was created with the assistance of the Holga toy camera. This plastic miracle has produced a track record of unexpectedly beautiful results in the hands of skilled image-makers.

ATTENTION fine art photographers working with HOLGA cameras! In January 2008, the Photomedia Center will be featuring artists who have been invited through an open submissions process to exhibit their photography which was created with the assistance of the Holga toy camera. This plastic miracle has produced a track record of unexpectedly beautiful results in the hands of skilled image-makers. [From THE HOLGA SHOW: CALL FOR ENTRIES]

I have been slack this year, but perhaps I can find something worth sending along. And I have a few weeks to make something, if it comes to that.